14th March 2021
Archie Gibbs dissects the remote gallery experience. More on the “hate it” side of the marmite pendulum, the online viewing room (OVR) seems an inescapable, yet necessary, evil. Deputising the in-person exhibition which is currently on an intermittent hiatus, I do foresee a future for this distributive method stretching beyond the pandemic. A decentralised, easily ...
