Over the course of the hour you hear a lot of things. A prominent feature of the field recordings are the drums. Amid the throng of Laurenti’s recordings are samba percussion bands, marching bands, blazing house music, and more spiritual offerings in the form of bells, gongs, and harmonies. It’s a entirely unsettling experience when the drums cut out, the radio chatter growls menacingly, and violence breaks out. Rumours of rubber bullets being fired fly through the crowds, people appeal to the police and each other for peace, and anger erupts in response.
Here’s what the performance makes me think; Imagine you’re involved in something so activated as a protest, or a demonstration. At the time, all you are really concerned with are two things; Firstly, whether or not you are having any kind of effect. Secondly, and in some courses of action more importantly, whether or not you are going to get arrested. What Laurenti’s performance primarily highlights is the circle of information and events that you rarely consider. Whilst a collective of hippies beat their drums and chant tired slogans, a whole network of terribly oppressive, under-paid cops scheme away at the fringes, containing and exposing the protestors.
Laurenti's superbly executed sound piece is an exploration of how we are informed and ultimately controlled, falling right in line with Arika's quest for the bigger frame behind radical music. Emotive, brave, and fully prepared to engage in some serious civil disobedience.
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